January 2024
After several years working regionally and on national tours, Liz has opted to join Actor’s Equity!
November 2023
Liz performed the role of HELEN KUNTZ in a short excerpt of the highly anticipated new musical, THE RADIUM GIRLS: A JAW-DROPPING NEW MUSICAL, with the Latiné Musical Theatre Lab. Written by Amanda D'Archangelis, Sami Horneff, and Lisa Mongillo. Directed by Claudia Mulet.
BroadwayWorld story about the presentation.
August 2023
Liz will be performing the role of JESS in the new two-person queer musical, We Start in Manhattan. The show is apart of the annual Live & In Color new works festival. Written by Ariella Serur and Sav Souza. Directed by Raja Benz and Ellie Heyman.
More information about the festival and how to get tickets here.
April 2023
Liz performed in developmental staged reading of the musical Hair as a member of the ensemble. The reading was produced as apart of a directing fellowship project at Roundabout Theatre Company. Directed by Mack Brown and Sloth Levine.
November 2022
Liz returns to New York after successfully completing the national tour of Buddy - The Buddy Holly Story. While on tour, Liz was thrilled to see the country and hone her piano skills playing lead keyboard as well as MARIA ELENA HOLLY.
August 2022
Liz began rehearsals for the national tour of Buddy - The Buddy Holly Story, performing the role of MARIA ELENA HOLLY and playing Keys 1. Directed by Angela C. Howell and produced by GFour Productions.
Catch the show in a city near you!
September 2022
Returning to Forestburgh Playhouse for the second annual In the Works In the Woods festival, Liz will be performing the role of BAAARBRA-ANN in Gordon Gets Down! by Caleb Damschroder & Matthew Ravey. Directed by Roque Berlanga.
More info about the festival here.
August 2022
Liz will be performing the role of Chlo Evans in The Waiting, a new folk musical, this August as apart of the SheNYC Arts Festival at The Connelly Theater in the Lower East Side of NYC. Directed by Abigail Grubb.
Ticket info!
June 2022
Recently, Liz celebrated Pride month in part by performing in 10 Years of Pride at 54 Below! The show featured an all queer cast and team with many songs that were gay af. Directed and produced by Michael Hull. Musical direction by Drew Wutke. Read more about the event and cast here!
April 2022
Making her Feinstein’s 54 Below debut, Liz will be performing the role of “Tess” in the concert reading of the new musical, Love is Love is Love The Musical. Tickets for April 20th, here.
Music & Lyrics by Michelle Lee Salyer.
Book by Allison Chaney Whitmore.
Directed by Ariana Valdes.
January and February 2022
This winter, Liz performed in two back-to-back concerts at Joe’s Pub, Queering the Canon: ANDREW LLOYD WEBBER and Queering the Canon: SONDHEIM.
Both shows were apart of the three-concert series Queering the Canon, as seen in the online LGBT magazine, Them. Produced by Ring of Keys and featuring an entirely queer cast.
QTC: Andrew Lloyd Webber directed by Blayze Teicher.
QTC: Sondheim directed by Ann C. James, founder of Intimacy Directors of Color,
September 2021
Liz will be performing the title role in the staged reading of the new bi-lingual musical for young audiences, El Otro Oz: La Maravillosa Adventure of Dora Garza. Dora Inez Garza is swept up by a gran tornado that drops her (and her little chihuahua, too) in a strange and magical world where she must slip on the ruby zapatillas and journey down the yellow brick road to find that true power comes from embracing who you truly are. This show is being developed as apart of the In The Works - In The Woods festival at Forestburgh Playhouse.
Directed by Rebecca Aparicio.
Book by Mando Alvarado and Tommy Newman.
Music and lyrics by Jaime Lozano and Tommy Newman.
July 2021
Liz will be performing the role of SONIA in the new, queer, original musical Prospect Hill. Produced by Piper Theatre and commissioned by Musicals Now! this show was developed to engage with and honor the queer history of Park Slope, Brooklyn. The musical tells the story of a young queer woman struggling to find belonging and community in a world where queer spaces are slowly disappearing.
Written by Lily Ali-Oshatz and Mark Galinovsky.
Directed by Jessi D. Hill.
June 2021
if there is breakage you will find chips is back! The updated show is being produced by Original Idiots as apart of their Generator Reading Series and performed virtually.
Written by Makaela (Mak) Shealy-Sachot. Directed by Mack Brown.
March 2021
Elated to be back in a real theater, Liz will be performing the role of HAELEY in the new play if there is breakage you will find chips, one of two Mainstage features in Irondale’s On Women Festival.
Written by Makaela (Mak) Shealy-Sachot. Directed by Abigail Jean-Baptiste. Produced by Moxie Arts NY. Performed and filmed for a virtual live stream at Irondale in Brooklyn.
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February 2020
Liz is stoked to be queering the stage and performing a new original song by Pearl Rhein in the concert Queering the Canon at Joe’s Pub! This concert is a benefit for the queer organization Ring of Keys, which Liz is a member of.
October 2019
Making her debut with Childsplay, Liz is so excited to be performing in Arizona playing “Mother/Rosie” in a brand new play, Chato’s Kitchen. The show is a celebration of the barrio culture of East Los Angeles. Chato is a low-riding cool cat (as in “meow”). A family of mice moves in next door. Chato invites them over for dinner. The mice show up for dinner, only they bring a friend with them: a Dachshund named Chorizo. Four actors and numerous puppets are used to tell the story.
Written and directed by Mark Valdez.
August, 2019
Liz is will be performing the role of “Mariah” in the new musical, Model Citizens, written by Robert and Hayley Poole, directed by Tabatha Gayle. First, Liz was in the production with the Summer Fresh Festival, produced by Broad Views on Broadway and now the show is performing in the September edition of 4 x 15 at The Musical Theatre Factory.
May, 2019
Making her Seacoast Repertory debut in her dream show, Liz will be playing “Rosalia” in West Side Story in Portsmouth, New Hampshire. Direction and choreography by Bryan Knowlton.